This is a stream of consciousness ink test (à la this) from a few years back. I had a spare frame lying around, so when I finished it I just slapped it in, hung it up, and forgot about scanning it. Thought I’d do it today, just so this post can have some art.
So! I realized that, though I updated my ‘Upcoming’ section, I never made an official announcement. So here it is: Evan and I have teamed up as Cinnamonopteryx Press, and we’re going to be at Artomatic Frederick. If you happen to be in the area, take a look! It’s in an awesomely decrepit, abandoned 1920s school building. Our space is in the 2nd story lounge, in a massive old bookcase. We’ll have brand new art there, there are literally hundreds of other artist participants (including our friend Devon), and it should be tons of neat all over.
On another note entirely, I’ve been struck by a hankering to participate in 24 Hour Comics Day this year. Looking for other 2011 participants to watch (and possibly commiserate with), as well as past participants so I can look at comics and get all in the mood to do this.
So how ’bout it? Any 24HCD vets or noobs hanging around?
I have some heavy duty
pokémon black playing work to do today, so just dropping this in here. Took some watercolor to that gryphon linework I posted the other day.
Have a good day everyone! And as always, I love hearing what you think (good or bad) in the comments!
Just trying out my new bottle of Dr. Ph Martin’s bombay brown. Y’know, to make sure it’s not a bad batch. :3
I like the direction this one went. Look for a colored version soon.
Is what the orthodontic surgeon told me to do. But since it’s never so hard to take it easy as when you’ve been commanded to do it, well… here are those ink sketches I posted yesterday. But colored.
Now I’m going to go lie down, because the painkillers are making me dizzy and tired. But I’ll probably make more art tomorrow.
I’m supposed to be taking it easy today. I had all four of my wisdom teeth pulled yesterday. And while it wasn’t as terrifying an experience as I’d expected, I’m still in a fair bit of pain and a little out of it from the high dosages of vicodin I’m taking every 4-6 hours. But of course being told you’re supposed to relax makes it all the harder, so instead I’ve been knocking about online and doing minor design work for most of the day.
But then I remembered this blog, and the fact that I hadn’t posted any art on here since my trips to the museum. I recently, on Eric Orchard’s recommendation, acquired a new pen nib to replace the several I utterly destroyed while making these pieces. So far it’s held up really well, and on top of that it’s been producing just the sorts of lines I’ve really been wanting from my pens anyway. Here’s my first stream-of-consciousness ink test with it:
And at the same time, I went and found my initial ink test for my lovely tachikawa sepia fountain pen (which I also destroyed, and had to order a new one of). It was sketched back when Cinnamonopteryx had been living with us for just a few days, and still needed to be babysat in our room or else he’d start crying. So, rather influenced by him:
I plan on painting both of these at some point soon.
Oh, and if you happen to be on Google+, I’ve been fairly active on there lately. Find me!
First of all, I finally set up a new Flickr account! Since I couldn’t get back into my old one… If you’re a flickr user, find and contact me! :)
This post is going to be a bit of a sketchdump. I’ve been working on that inky, chunky linework a little more, and made two more pieces with that in mind:
Inky self portrait
Ahhh… I’m having flashbacks to highschool. Self portraits. Well, it does look like me: angry. Though maybe older? The ink was acrylic, but despite that it still smeared when I put down water: too much ink. Also, that weird thorny thing and flower up front? To hide smudge marks where my inky hand landed on the page…
Had a *lot* of fun with that leave mold. Not so sure about my idea of using blue ink (or on the general design of that creature, or the girl…) Also, something this complex needs to be a tad bigger than 4 x 6″.
I always like putting *something* on those first blank pages. Those are Jack O’Lantern mushrooms. The ink I used on the left didn’t like moleskine paper much, though. Soaked in as if I’d put it on a sponge. Trying Dr. Ph Martin’s Bombay black next time.
Basically a stream of consciousness drawing. Used a nice, big dip-pen nib and some lovely gooey Windsor & Newton “Nut Brown” ink. Got very, very into working big globs of ink into feathery little lines.
Then I painted it! Forgetting that Nut Brown is not one of W&N’s water-fast inks! Ah well. I think the bleeding actually worked for this sketch.
In the future, I’ll use some Dr. PH Martin’s Bombay, or maybe just ink on top of a prepared watercolor layer. Did try using FW Acrylic’s Sepia, but it’s just too damn dark, and doesn’t spread nearly so nicely.
What do you think? Is this a method I should explore in greater detail?
So I think my art crisis is over. I’m back to painting in about the same way I did originally (save for the fact that I ink last, rather than first) and I no longer feel quite as convinced that my color work is terrible. I do think that the experimentation was really useful, but it’s nice not to feel so panicky whenever I think about making work for someone. Expect more of that sort of thing next time I start feeling insecure about my art (which knowing me will probably be next week).
I tried using gouache for the first time in this one! And I also used salt successfully for the first time! So I guess I’m not actually done experimenting, but at least it’s more typical to my work. Ink, I missed you. I think I’d like to practice painting slimy things some more.
I was having an extremely strong urge to draw pokémon fanart, which I channeled into this instead. So I guess this is what pokémon would look like if I’d been the one to design them. This must be your three starter options. Which would you choose?
I forgot to get a scan of the initial pencil lines, but I do have an ink-less and gouache-less stage below the cut, if you’re interested.
The canny might recognize a recurring character, here. :3
Not much to this post, I’m afraid. I forgot to document the WIP steps for this one, which is really too bad since it’s another one of my experiments (and one I rather like).
Contrary to what I said of the Alice piece last time, I ended up using that watercolor outlining technique again. Worse, I’m starting to think and plan my paintings in terms of it. :| I’m not sure if this is a good or bad thing, yet. Input would be greatly valued.
I also tried something a bit differently with the way I planned the color scheme, simplifying each background object down to a single color, and each focal point to a main color and at most one or two secondaries. I’ve always really admired artists who worked that way, and I enjoyed it myself. Might be a tack to take in order to fix my eternal color-scheme illiteracy.
I’ve mentioned that I’m working on my color usage, yes? The entire point of this particular piece was to push my color usage, and experiment a bit with my application of watercolor. Also, I was trying to speed up my overall worktime (this sort of worked out). It’s a pretty silly, simple picture, but I like how it turned out overall. Sometimes one needs to draw something silly.
I don’t believe I pushed myself nearly enough, in the end, but the result was good at least. One lesson I learned is that I really, really need to make more of an attempt to prevent my hand oils from getting on the paper while I’m drawing. It’s hard to see the effects of this in the scan, but it’s there. And of course it drives me crazy. I’ve heard that laying down a layer of spray fixative over the pencilwork can help (putting a barrier of plastic between you and those hand oils!) so I may try that. Or I suppose I could put a slip of newsprint down under my hand like you’re supposed to. Heh…
I took photos of the piece as it progressed. If you’re interested, they’re after the cut.