New issue of the lusciously frightening Innsmouth Magazine, everyone! And not only that, but the cover illustration is one of mine! Go treat yourself to a copy of this eminently spine-crawling publication by Innsmouth Free Press.
Oh! Oh! Well, I’m still super busy (yet more work has come my way, which is of course a good thing) but I forgot to mention…. Fireside Magazine is out!! And you can get an e-copy at my favorite of all digital bookstores, Weightless Books!
Another kickstarter announcement!
One of my favorite literary magazines of all time, Greatest Uncommon Denominator, is holding a kickstarter drive in order to fund issue #7! They are one of the most beautiful, most carefully curated spec-fic literary zines I’ve ever read, and seeing another issue from them is something I’m pretty invested in. Honestly. They’re up there with Lady Churchill’s Rosebud Wristlet in my estimation.
And, bonus, in addition to copies of the magazine they’re giving out handcrafted Vogon poetry (lucky you!) and postcards featuring my art from their 2010 Halloween Monster quiz! If you’ve ever wanted to own your quiz answer in hard copy, this is your chance!
Right now there are 17 days left to get in on the action! Don’t waste time, I’m sure there are people you know who need the above postcard desperately. Think of them!
Only 5 days to go on the Fireside Magazine Issue 3 Kickstarter, and we still have more than $4,000 left to raise. If you’ve been thinking about throwing in a donation, now’s a really great time to do it! Help support great art, fiction, and fair pay to contributors!
Issue Three will include short stories by Daniel Abraham, Elizabeth Bear, and Mary Robinette Kowal, as well as one by Lucas J.W. Johnson… We’ll have a comic written by Rachel Deering and drawn by Christine Larsen. And our artist for the issue is Lisa Grabenstetter.
And if you contribute anything, you get a copy of your very own! Pretty damn exciting, yes?
I’m ridiculously thrilled to announce my involvement in Fireside Magazine issue 3!
For those who haven’t heard of it yet, it’s a robust multi-genre literary magazine that focuses on good good storytelling and great treatment of its creative elements. Issue three will contain fiction by Mary Robinette Kowal, Daniel Abraham, Elizabeth Bear, and Lucas J.W. Johnson. And I get to illustrate all that! Plus the amazing (I am not kidding) Christine Larsen is illustrating a comic by Rachel Deering for the issue, which should be absolutely gorgeous.
But yeah, I get to contribute four illustrations (including the cover). Can I reiterate how thrilled I am?
If you need to catch up on the back issues, you can do that either by heading over to Weightless Books or by throwing at least $9 to the kickstarter (you know which one I’d recommend…) I’ve read them both, and give a hearty reader’s endorsement.
Just one more post like this and then we’re back to our regularly scheduled programming I promise. (Without ruling out the possibility that posts about cool new publications and other goings on in the SFF community will become more of a regularity.)
My last post was, admittedly, a little all over the place. I was trying to give a pretty wide sample of the sort of literary magazines out there, regardless of their exact placement on the spectrum that is the speculative fiction genre. So for this post, I’m going to reign it in and talk about a few places you can go to get your fix of Weird Horror (and maybe send that Weird story you just yanked from Weird Tales‘ submission queue).
(Regular readers of this blog will be aware of my own devotions along these lines.)
The first is publisher Innsmouth Free Press, and their triannual Innsmouth Magazine. Innsmouth is helmed by the inestimable Silvia Moreno-Garcia*. In addition to being one of the most active review and essay blogs in the genre (think Tor.com but almost exclusively for Weird Horror), it’s also a strong contender for ‘heir to the Weird fiction magazine throne’. A nontrivial cherry on top of that creepy-crawly sundae is their announcement today of a funding drive for their next two anthologies (Sword and Mythos and Jazz Age Cthulhu), with their final push goal being a hike to pro rates for Innsmouth Magazine itself!
Secondly, I’d like to highlight Dagan Books, the tiny press responsible for Cthulhurotica. Its focus is similar to Crossed Genres in that its publications tend to take a base made of Weird and mix it with a big ol’ dab of Something Else (whether that be Alien archeology or Books within books.) At the moment they’re just about to close submissions for Cthulhurotica 2, so if you have something kicking about your hard drive that might suit, be sure to get it to them before August 30th.
Then there’s Chiaroscuro, which is another small Weird horror press with an occasional zine habit. They publish a little bit of short fiction on their website, but have shifted their main focus in a more bookish direction. ‘Embrace the Odd’ is their well-observed motto. If you’re a longtime connoisseur of Weird, you might recognize a number of their authors.
And if you’re a devotee of the audible, my two favorite podcasts with a consistent Weird emphasis are the unpredictable (and for me, local!) Drabblecast and the the (very Cthulhic, seemingly never safe-for-work) Pseudopod!
I know there are a number of great new anthologies out recently that fit under the Weird umbrella, including one from Ann Vandermeer (the editor of Weird Tales‘ best run) and her husband (author and editor) Jeff Vandermeer**. I’m not going to get into individual novels or anthologies further than that, but if there’s something that I’ve missed or that you just really want to talk about, please do bring it up in the comments!
* (Though I’d heard of IFP before, my first encounter with Moreno-Garcia’s own fiction was through her story “Jaguar Woman” when it came out on Podcastle. I just wanted to share.)
** (I’ve heard that it leads with a portion of illustrator Alred Kubin’s The Other Side, a book very dear to my heart and also very difficult to find. Or at least, difficult to afford. In my estimation, that alone makes it worth looking into.)
Several very wise people advised me, in the comments on yesterday’s post, to give up and move on. And… after much thought I agree. There is really nothing Marvin Kaye (et al.) can say to me at this point that will restore my faith in Kaye’s capabilities as an editor, or my hopes for Weird Tales’ future as a publication. It had a long, often rocky, often problematic history capped by a few years of shining brilliance… followed by a dive off of a sheer cliff into the sea.
RIP, Weird Tales. I’m sorry you had to go this way.
But, as Silvia Moreno-Garcia reminded me, all is not lost! There is a veritable smorgasbord of delicious, socially conscious speculative fiction in the world right now. So as a unicorn chaser, let’s talk about some!
You might’ve heard about how Mary Robinette Kowal, author and former art director for Weird Tales, stepped up to the plate earlier this week and is using her own pocket money to bump Shimmer up to pro rates for fiction. Shimmer’s known for poignant, thoughtful speculative fiction (that means spanning all genres traditionally thought of as SFF) and general progressive wonderfulness.
Greatest Uncommon Denominator (GUD) Magazine is another one I’ve mentioned before. They don’t come out often, but when they do they’re a hefty and satisfying tome of both genre and literary fiction chosen with a great deal of skill. Though not the specific focus, they’ve been known to house some of the most interesting monster-centered stories I’ve encountered. They also have terrific taste in art (I’ve published with them.)
Fireside Magazine‘s one of the new kids in town. Its focus is on story-driven specfic with compelling, unsinkable plots. Some of my favorite people on the internet are involved in this one, but even detaching myself from that I have to say it’s one of my favorite magazines already. They’re only on issue 2 so far, which makes catching up easy.
Crossed Genres has an interesting premise. Every issue takes specfic and crosses it with a different, specific theme – “Lies” and “Bildungsroman” are two examples (full disclosure: yes I have done art for them! I choose well). Also a newly pro-rate market, CG makes a particular effort to showcase marginalized groups and sub-groups in their magazine and anthologies. The ones responsible for ‘Science in my Fiction‘.
Apex Magazine is another one I know some folks at: and they’re all cool. A magazine of fantasy and horror, Apex is a venue that puts focus on marginalized and non-USian voices. Famously, their extremely adult reaction to a certain prominent SF author’s outspoken Islamophobia was to publish an issue dedicated entirely to Muslim writers and artists. I’ve been subscribed for some time, and have never been disappointed.
Lady Churchill’s Rosebud Wristlet a collaboration between Kelly Link and Gavin Grant of Small Beer Press. LCRW is strange, amusing, and difficult to categorize – each issue contains everything from specfic to recipes, essays to comics and poetry. Of all of the zines listed here, it has the most zinelike feel to it. It’s even printed on a xerox machine and stapled together like something you’d expect to find in the ‘unclaimed copies’ bin at Office Depot. Consistently one of my favorite magazines out there. Also the only one I know of that offers a subscription plan that includes a chocolate bar with each issue.
If you need some fiction right now, Lightspeed Magazine has got you covered. An amalgamation of fantasy and SF (they recently absorbed Fantasy magazine) Lightspeed hosts a generous portion of its content for free reading on the web. Delia Sherman, Ken Liu, and Linda Nagata are some recent contributors – to give you an idea of their standard of quality. You can also subscribe and toss these awesome folks a few bucks to keep it going.
Clarkesworld is another long-standing and much-loved magazine, with wonderful free content trickling through the website at all times. It’s won more awards than you can shake a book at (the Hugo, Nebula, and Shirley Jackson just to name a few) and even posts audio versions of their stories as an extra bonus.
The Future Fire is another favorite of mine (which.. full disclosure, I’ve made art for) Their entire mission statement is to focus on socially progressive specfic. They’re currently collecting stories for a colonialism-themed anthology of new fiction focusing on the experiences of the colonized called ‘We See a Different Frontier’. Definitely give them a read!
And if you’re a part-time e-reader like myself, it’s always worthwhile to check out the subscriptions section of Weightless books*. Small Beer press, who owns them, is a great source of exciting and reliably conscientious things. Browse around the whole site and see what some other small presses are up to while you’re there.
And if there’s any publication of particular splendor that I’ve missed and you’d like to share in the comments (your own, even) please do! Let’s get the word out: beautiful things do still exist.
UPDATE: Oh! And don’t miss this newer endeavor by Ann Vandermeer and friends, the ones who contributed directly to Weird Tales’ former glory. Weird Fiction Review isn’t a literary zine per se, but it’s still a whole lot of strange, neat things all together in one place, curated by people that can be trusted.
*(Note: Weightless books does carry subscriptions to Weird Tales. They’re offering a chance to swap your subscription to a different magazine for free, though, and I suspect that if Kaye continues down this path they won’t be offering it for much longer.)
Some new arts to share! Because The Future Fire, feminist magazine of speculative fiction, is finally back from hiatus! I provided these two illustrations for the story Elm by Jamie Killen, which is a poignant love story about a girl and a dryad and making difficult choices. My images are a tiny bit spoiler-y seen together, but not too. Go read it anyway!
In other news, have you heard about Turning Art, the monthly subscription service for wall art? Well, I have a profile there! Just in case it’s something that seems like your cup of tea. I mean, new art every month! Supporting individual artists! Buying things easily! What’s not to like?
An illustration I very recently completed has gone live on AEScifi.ca, The Canadian Science Fiction Review, so now I can share!
I was extremely flattered when the editor sent me this story, telling me that he felt my style suited it. It’s strange and poignant and grotesque, all the qualities I love best in one place.
So check it out, and read the entire issue while you’re over there!
The thumbnail sketches from the project are after the cut, for the curious.
So Crossed Genres is an excellent SFF literary magazine for which I have illustrated (or co-illustrated) covers twice before. Recently, they asked me to do the cover of their first ever Quarterly publication. They’re going from a monthly paper release schedule to one where new issues are released free online monthly, but a print issue comes out only four times a year (with extra content and new cover art).
It’s now officially on sale to the public, so I’m sure no qualms would be had if I posted the cover art here.
Illustration is 11 x 17″, graphite and digital color. It’s based on the story “Love in the Atacama or The Poetry of Fleas” by Angela Rega.
I very much encourage you to visit the website to poke about the free content, and consider buying the book. CG’s a great publication.