And to celebrate, and because it turns out I’m not the only one who loves them, I’ve drawn some bats!
A little brown bat, because those are the ones that you mostly spot in the skies around here, fluttering against the summer twilight like determined black butterflies. And an Egyptian fruit bat, because they’re so objectively cute that I think even your average chiroptophobe has to find them endearing. Happy October everyone!
An illustration I had to scrabble to finish after returning from Canada is online already! It’s for a story on AESciFi (The Canadian Science Fiction Review) by Michael Hodges about a strange little critter and the nebulous give/take relationship it has with the narrator.
I decided to experiment a little on this one, and it’s the first illustration I’ve inked entirely by brush. I really like how it turned out, I have to say, and it was so much quicker to do than with a dip pen. I obviously didn’t go for as fine a line as I normally do with a pen (not everyone is as proficient with single-hair brushes as Niroot), but I think the effect worked for this subject. Working on another quick personal piece at the moment to see whether I feel like sticking with this method. I’ll report back.
Oh and a reminder! The Fireside Magazine funding drive has 17 days to go. Donate $25 and you’ll get a signed high quality print of the cover art, by me! *hint hint*
My site traffic had the biggest spike in the existence of my blog yesterday, thanks largely to the kind mouth-words of the incredible Galen Dara and magnificent Tracey Hurley (who you might remember from Prismatic Art Collection fame).
So in celebration, I have kicked my butt into gear and finished these two little creatures that have been drifting somnolently through various stages of completion for the past several months. Enjoy!
Cheers of thanks to everyone who takes the time to ogle my poor drawings and peruse my scant little words. I appreciate all of you.
Some new arts to share! Because The Future Fire, feminist magazine of speculative fiction, is finally back from hiatus! I provided these two illustrations for the story Elm by Jamie Killen, which is a poignant love story about a girl and a dryad and making difficult choices. My images are a tiny bit spoiler-y seen together, but not too. Go read it anyway!
In other news, have you heard about Turning Art, the monthly subscription service for wall art? Well, I have a profile there! Just in case it’s something that seems like your cup of tea. I mean, new art every month! Supporting individual artists! Buying things easily! What’s not to like?
There’s also my (recently refreshed) etsy shop, if you want just my art in particular. Or you could request a commission. I like those. ;)
You’ve heard the recommendation to draw studies from the work of folks who inspire you, to get a sense for their craft, right? I’d add that it also helps you appreciate their work on an entirely different level. Take these sketches I did from Rembrandt the other day. I love the intense darks and smoky sepia tones in his work, but it took sketching from him to realize just how subtle and mischievous the facial expressions of his subjects are. For anyone who’s painted or drawn from a live model, you’ll realize what a challenge this is–over very long sitting periods both artist and model tend to settle into a grim and rigid expression. The number of quick sketches he did for these must have been extensive.
The look of bemusement on the man in the gorget’s face–I’m imagining that this is a ridiculous outfit even for the wealthy of 17th century Holland. Or the sly and considering look of the woman in the door, her wedding ring just peeking over the top of her blouse. You can really see why his work is so enduring.
Those ottomans are the comfiest thing for watching tv. I bet hers had a hidden storage space inside, ‘cuz her mom taught her all about preparedness and efficiency.
Yarka watercolors and Dr. Ph. Martin’s Bombay brown india ink, on a Strathmore watercolor postcard. As usual.
An illustration I very recently completed has gone live on AEScifi.ca, The Canadian Science Fiction Review, so now I can share!
What. No men here.
I was extremely flattered when the editor sent me this story, telling me that he felt my style suited it. It’s strange and poignant and grotesque, all the qualities I love best in one place.
So check it out, and read the entire issue while you’re over there!
The thumbnail sketches from the project are after the cut, for the curious.