You’ve heard the recommendation to draw studies from the work of folks who inspire you, to get a sense for their craft, right? I’d add that it also helps you appreciate their work on an entirely different level. Take these sketches I did from Rembrandt the other day. I love the intense darks and smoky sepia tones in his work, but it took sketching from him to realize just how subtle and mischievous the facial expressions of his subjects are. For anyone who’s painted or drawn from a live model, you’ll realize what a challenge this is–over very long sitting periods both artist and model tend to settle into a grim and rigid expression. The number of quick sketches he did for these must have been extensive.
The look of bemusement on the man in the gorget’s face–I’m imagining that this is a ridiculous outfit even for the wealthy of 17th century Holland. Or the sly and considering look of the woman in the door, her wedding ring just peeking over the top of her blouse. You can really see why his work is so enduring.